Features
Hardwick is a conspicuous statement of the wealth and power of Bess of Hardwick, who was the richest woman in England after Queen Elizabeth I herself. It was one of the first English houses where the great hall was built on an axis through the centre of the house rather than at right angles to the entrance. Each of the three main storeys is higher than the one below, and a grand, winding, stone staircase leads up to a suite of state rooms on the second floor, which includes one of the largest long galleries in any English house and a little-altered, tapestry-hung great chamber with a spectacular plaster frieze of hunting scenes. The windows are exceptionally large and numerous for the 16th century and were a powerful statement of wealth at a time when glass was a luxury, leading to the saying, "Hardwick Hall, more glass than wall" (or, in another version, "more window than wall"). Sir Nikolaus Pevsner writes, "The little rhyme is: 'Hardwick Hall, more window than wall.' " The Hall's chimneys are built into the internal walls of the structure, to give more scope for huge windows without weakening the exterior walls. There is a large amount of fine tapestry and furniture from the 16th and 17th centuries. A remarkable feature of the house is that much of the present furniture and other contents are listed in an inventory dating from 1601.
Hardwick Hall contains a large collection of embroideries, mostly dating from the late 16th century, many of which are listed in the 1601 inventory. Some of the needlework on display in the house incorporates Bess' monogram "ES", and may have been worked on by Bess herself.
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Famous quotes containing the word features:
“The features of our face are hardly more than gestures which force of habit made permanent. Nature, like the destruction of Pompeii, like the metamorphosis of a nymph into a tree, has arrested us in an accustomed movement.”
—Marcel Proust (1871–1922)
“It is a tribute to the peculiar horror of contemporary life that it makes the worst features of earlier times—the stupefaction of the masses, the obsessed and driven lives of the bourgeoisie—seem attractive by comparison.”
—Christopher Lasch (b. 1932)
““It looks as if
Some pallid thing had squashed its features flat
And its eyes shut with overeagerness
To see what people found so interesting
In one another, and had gone to sleep
Of its own stupid lack of understanding,
Or broken its white neck of mushroom stuff
Short off, and died against the windowpane.””
—Robert Frost (1874–1963)