Hard Times - Literary Significance & Criticism

Literary Significance & Criticism

Critics have had a diverse range of opinions on the novel. The critic John Ruskin declared Hard Times to be his favourite Dickens work due to its exploration of important social questions. However, Thomas Macaulay branded it "sullen socialism", on the grounds that Dickens did not fully comprehend the politics of the time. This point was also made by George Bernard Shaw, who decreed Hard Times to be a novel of "passionate revolt against the whole industrial order of the modern world." Shaw criticized the novel for its failure to provide an accurate account of trade unionism of the time, deeming Dickens' character of Slackbridge, the poisonous orator as "a mere figment of middle-class imagination." However, believing it to be very different from Dickens' other novels, he also said: "Many readers find the change disappointing. Others find Dickens worth reading almost for the first time."

F. R. Leavis, in The Great Tradition, described the book as essentially a moral fable, and said that 'of all Dickens' works (it is) the one that has all the strengths of his genius—that of a completely serious work of art'. This, however, was a view which he revised later in Dickens The Novelist which recognised that Dickens' strengths and artistry appeared fully in other works.

Walter Allen, in an introduction to an alternative edition, characterised Hard Times as being an unsurpassed "critique of industrial society", which was later superseded by works of D. H. Lawrence. Other writers have described the novel as being, as G. K. Chesterton commented in his work Appreciations and Criticisms, "the harshest of his stories"; whereas George Orwell praised the novel (and Dickens himself) for "generous anger."

Read more about this topic:  Hard Times

Famous quotes containing the words literary, significance and/or criticism:

    In literary circles, the men of trust and consideration, bookmakers, editors, university deans and professors, bishops, too, were by no means men of the largest literary talent, but usually of a low and ordinary intellectuality, with a sort of mercantile activity and working talent. Indifferent hacks and mediocrities tower, by pushing their forces to a lucrative point, or by working power, over multitudes of superior men, in Old as in New England.
    Ralph Waldo Emerson (1803–1882)

    The hysterical find too much significance in things. The depressed find too little.
    Mason Cooley (b. 1927)

    However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.
    Henry David Thoreau (1817–1862)