Production
McDonald grew up in the Vancouver punk rock scene in the late 1970s and early 1980s and was drawn to Michael Turner's book about aging musicians. McDonald commented in an interview, "what I thought was really interesting is where it is 15 years later, and what are these guys doing now". He had just come off the critically acclaimed Dance Me Outside and friends warned him not to repeat himself by making another road movie. However, McDonald did not see Logo as a repeat of previous films. "On the other films, they (the anti-heroes of Roadkill and Highway 61) go down the road and meet a nutty person and things happened. Here you're with the same people throughout – and they are the nutty people!"
McDonald had to persuade Dillon to do the film. "He was going 'Wow, what if the movie is shit, then I'd lose all my fans from the band, I'd lose all my credibility!'" The director auditioned 200 actors for the role but kept coming back to the musician. Dillon remembers, "as soon as he gave me freedom to make the screenplay more believable, I became interested. Bruce allowed me creative input and that's what made it a special piece for me." Dillon drew a lot on his own real life experiences of being in a band.
Hard Core Logo screened at the Cannes Film Festival. McDonald remembers, "Cannes was very humbling. You're in the same arena as Bernardo Bertolucci and Czechoslovakian pornographers. It's such a bizarre spectrum." The film went on to be nominated for six Genie Awards, including Best Picture and Director. Quentin Tarantino saw Logo at a film festival and liked it so much that he bought the U.S. distribution rights under his Rolling Thunder label and even toyed with casting Dillon in Jackie Brown.
Read more about this topic: Hard Core Logo
Famous quotes containing the word production:
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
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—Charles Darwin (1809–1882)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)