Content and Release
Harajuku Lovers Live was released on December 5, 2006, the same day as the release of Stefani's second album, The Sweet Escape. Both Harajuku Lovers Live and The Sweet Escape were released a day early in the UK, on December 4, 2009. The DVD carries a Parental Advisory sticker for profanity, although a clean version of the DVD is also available. The cover image of Stefani sitting in a throne imitates the cover image of Love. Angel. Music. Baby.; both images were photographed by Nick Knight. It was directed by Sophie Muller, who has also produced music videos for Stefani's singles "Cool", "Luxurious" and "Crash" from Love. Angel. Music. Baby. and would later produce music videos for "Wind It Up", "4 in the Morning" and "Early Winter" from The Sweet Escape. The DVD was produced by Oil Factory Productions.
The DVD contains a recording of one of the concerts in Stefani's "Harajuku Lovers Tour 2005". The concert was performed in late November 2005 in the Honda Centre in Anaheim, California, where Gwen Stefani was raised. The concert's set list includes all twelve of the songs from Love. Angel. Music. Baby., plus two new tracks, "Wind It Up" and "Orange County Girl", from The Sweet Escape. "Wind It Up" and "Orange County Girl" were two of the four songs written and recorded in summer 2005 by Stefani during her sessions with Pharrell Williams and had been previewed at the finale of New York's Olympus Fashion Week for the 2006 collection of Stefani's line of clothing, L.A.M.B, in September 2005. "Wind It Up" was later released as the lead single from The Sweet Escape.
The DVD includes extra features: a "Countdown to Tour" documentary of behind-the-scenes preparation footage with Stefani, a series of interviews with Stefani's five band members and eight dancers (including the four Harajuku Girls) called "Meet the Band and Dancers", a photo gallery of images from the concert and a video of an alternative performance of the song "The Real Thing", called "The Real Thing Camera Remix". "Countdown to Tour" was described by one reviewer as "boring", but by another as "fascinating for anyone interested in how massive stadium tours develop", praising how Stefani "shares how she works her strengths".
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