Production
When approached about creating a third Halloween film, original Halloween writers John Carpenter and Debra Hill were reluctant to pledge commitment. According to Fangoria magazine, Carpenter and Hill agreed to participate in the new project only if it was not a direct sequel to Halloween II, which meant no Michael Myers. Irwin Yablans and Moustapha Akkad, who had produced the first two films, filmed Halloween III on a budget of $2.5 million.
Special effects artist Don Post of Post Studios designed the latex masks in the film which included a glow-in-the-dark skull, a lime-green witch and an orange Day-Glo jack-o'-lantern. Hill told Aljean Harmetz, "We didn't exactly have a whole lot of money for things like props, so we asked Post, who had provided the shape mask for the earlier 'Halloween ..., if we could work out a deal." The skull and witch masks were adaptations of standard Post Studios masks, but the jack-o'-lantern was created specifically for Halloween III. Post linked the masks of the film to the popularity of masks in the real world:
Every society in every time has had its masks that suited the mood of the society, from the masked ball to clowns to makeup. People want to act out a feeling inside themselves—angry, sad, happy, old. It may be a sad commentary on present-day America that horror masks are the best sellers.
Most of the filming took place on location in the small coastal town of Loleta, California. Familiar Foods, a milk bottling plant in Loleta, served as the Silver Shamrock Novelties factory, but all special effects involving fire, smoke, and explosions were filmed at Post Studios.
Read more about this topic: Halloween III: Season Of The Witch
Famous quotes containing the word production:
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (18601935)
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (18171862)
“Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I cant see it any other way. In that sense human nature kinda goes backwards. Its a step backwards. You have to realize the people werent quite ready for a socialist production system.”
—Gus Hall (b. 1910)