Overview
Halber Mensch shows further development of Einstürzende Neubauten's sound. The group shows a wider artistic range, incorporating elements of electronic dance music in “Yü-Gung (Fütter mein Ego)” and performing the title track (nearly) a cappella. The group also expands their dynamic range: Blixa Bargeld's voice in “Seele brennt” suddenly switches from a barely audible whisper to a high-pitched scream, while quiet bass guitar overtones float over relatively restrained percussion in “Letztes Biest (am Himmel)”.
Read more about this topic: Halber Mensch