World War II and Television
Hal Roach, Sr. was called to active military duty in June 1942, at age 50, and the studio output he oversaw in uniform was converted from entertainment featurettes to military training films. The studios were leased to the U.S. Army Air Forces, and the First Motion Picture Unit made 400 training, morale and propaganda films at "Fort Roach." Members of the unit included Ronald W. Reagan and Alan Ladd.
In 1947, Hal Roach resumed production for theaters, with former Harold Lloyd co-star Bebe Daniels as an associate producer. Roach was the first Hollywood producer to go to an all-color production schedule, making four streamliners in Cinecolor, although the increased production costs did not result in increased revenue. In 1948, with his studio deeply in debt, Roach re-established his studio for television production, with Hal Roach, Jr., producing shows such as The Stu Erwin Show, Steve Donovan, Western Marshal, Racket Squad, The Public Defender, The Gale Storm Show, and My Little Margie, and independent producers leasing the facilities for such programs as Amos 'n' Andy, The Life of Riley, and The Abbott and Costello Show. By 1951, the studio was producing 1,500 hours of television programs a year, nearly three times Hollywood's annual output of feature movies.
The visionary Roach also recognized the value of his film library. Beginning in 1943 he licensed revivals of his sound-era productions for theatrical and home-movie distribution. Roach's films were also early arrivals on television; the Laurel & Hardy comedies in particular were a smashing success in television syndication.
Read more about this topic: Hal Roach
Famous quotes containing the words world, war and/or television:
“In the world there is nothing more submissive and weak than water. Yet for attacking that which is hard and strong nothing can surpass it.”
—Lao-Tzu (6th century B.C.)
“As for charity, it is a matter in which the immediate effect on the persons directly concerned, and the ultimate consequence to the general good, are apt to be at complete war with one another.”
—John Stuart Mill (1806–1873)
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)