Haile Gerima - Awards, Nominations and Distinctions

Awards, Nominations and Distinctions

Over the course of his career, Gerima has received numerous awards and distinctions in film festivals.

  • 1976 - Grand prize / Silver Leopard for Harvest: 3,000 Years- Locarno
  • 1982 - Grand Prix Award for Ashes and Embers-Lisbon International Film Festival
  • 1983 - FIPRESCI Film Critics Award for Ashes and Embers-Berlin International Film Festival
  • Outstanding Production Ashes and Embers - London Film Festival
  • 1984 - Tribute Festival De la Rochelle, France
  • 1987 - Long Metrage De Fiction-Prix de la Ville de Alger for Ashes and Embers
  • 1993 - Best Cinematography Award for Sankofa, FESPACO, Burkina Faso
  • 2003 - Lifetime Achievement Award, 4th Annual Independence Film Festival, Washington D.C.
  • 2006 - Festival De Cannes Selection Official Cannes Classic -'Harvest: 3,000 Years
  • 2008 - Venice Film Festival Special Jury Prize and Best Screen Play Award - Teza
  • 2009 - Jury Award at the 18th International Film Festival Innsbruck/Austria - Teza
  • 2009 - Golden Stallion of Yennenga at the FESPACO African Film Festival - Teza http://www.rfi.fr/actuen/articles/111/article_3102.asp
  • 2009 - Dioraphte Award Hubert Bals film in highest audience regard at the Rotterdam Film Festival
  • 2009 - Golden Tanit/Best Film Award for its "modesty and genius," Best Music (Jorga Mesfin Vijay Ayers), Best Cinematography (Mario Massini), Best Screenplay (Haile Gerima), Best Supporting Actor Abeye Tedla at the Carthage/Tunisia Film Festival for Teza
  • 2009 - Golden Unicorn and Best Feature Film at the Amiens/France International Film Festival France for Teza
  • 2009 -The Human Value's Award at the Thessaloniki Film Festival in Greece for Teza
  • 2009 - Official Selection at the Toronto Film Festival for Teza

Read more about this topic:  Haile Gerima

Famous quotes containing the word distinctions:

    Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.
    Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)