Style
Giger got his start with small ink drawings before progressing to oil paintings. For most of his career, Giger has worked predominantly in airbrush, creating monochromatic canvasses depicting surreal, nightmarish dreamscapes. However, he has now largely abandoned large airbrush works in favor of works with pastels, markers or ink.
His most distinctive stylistic innovation is that of a representation of human bodies and machines in a cold, interconnected relationship, described as "biomechanical". His paintings often display fetishistic sexual imagery. His main influences were painters Ernst Fuchs and Salvador Dalí. He met Salvador Dalí, to whom he was introduced by painter Robert Venosa. He was also a personal friend of Timothy Leary. Giger suffers from night terrors and his paintings are all to some extent inspired by his experiences with that particular sleep disorder. He studied interior and industrial design at the School of Commercial Art in Zurich (from 1962 to 1965) and made his first paintings as a means of art therapy.
In 2007, Giger and his work were subjects of a 19-minute documentary, H.R. Giger's Sanctuary, which toured internationally and was released on DVD in May 2008.
Read more about this topic: H. R. Giger
Famous quotes containing the word style:
“The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.”
—Raymond Chandler (18881959)
“American universities are organized on the principle of the nuclear rather than the extended family. Graduate students are grimly trained to be technicians rather than connoisseurs. The old German style of universal scholarship has gone.”
—Camille Paglia (b. 1947)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)