H. Montgomery Hyde - Works

Works

  • 1933: The Rise of Castlereagh, (Macmillan, 1933)
  • 1940: Judge Jeffries, (Harrap, 1940); 2nd ed., Butterworth & Co (1948)
  • 1948: Famous Trials: Oscar Wilde, (Hodge, 1948), enlarged ed, Penguin (1962)
  • 1953: Carson, (Heinemann, 1953)
  • 1959: The Strange Death of Lord Castlereagh, Heinemann, London, 1959
  • 1960: Sir Patrick Hastings, His Life and Cases, (Heinemann, 1960)
  • 1962: The Quiet Canadian: The Secret Service Story of Sir William Stephenson, Hamish Hamilton, London, 1962 .
  • 1964: Norman Birkett, the Life of Lord Birkett of Ulverston, (Hamish Hamilton, 1964)
  • 1964: A History of Pornography (Heinemann, 1964)
  • 1965: Cynthia - the Story of the Spy Who Changed the Course of the War, (Hamish Hamilton, 1965)
  • 1967: Lord Reading: the Life of Rufus Isaacs, First Marquess of Reading, (Heinemann, 1967)
  • 1970: The Love That Dared not Speak its Name, (Little, Brown, 1970)
  • 1970: The Other Love: an Historical and Contemporary Survey of Homosexuality in Britain, Heinemann, London, 1970
  • 1973: Baldwin: the Unexpected Prime Minister (Hart-Davis, 1973)
  • 1976: Neville Chamberlain (Weidenfeld & Nicolson, 1976)
  • 1977: Solitary in the Ranks: Lawrence of Arabia as Airman and Private Soldier, London: Constable, 1977; New York: Atheneum, 1978) ISBN 0-689-10848-6
  • 1979: The Londonderrys, a family portrait, (H. Hamilton, 1979), ISBN 0-241-10153-0
  • 1982: Secret Intelligence Agent (Constable, 1982) ISBN 0-09-463850-0; (St. Martin's Press) ISBN 0-312-70847-5

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    “He never works and never bathes, and yet he appears well fed always.... Well, what does he live on then?”
    —Edward T. Lowe, and Frank Strayer. Sauer (William V. Mong)

    “That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
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    “I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?”
    —James Thomson (1700–1748)