Art
Gwen John's work consists almost entirely of small-scale portraits and still lifes. Her portraits (usually of anonymous sitters) favored seated women in a three-quarter length format, with their hands in their laps. One of her models, Jeanne Foster, wrote of John: "She takes down my hair and does it like her own ... she has me sit as she does, and I feel the absorption of her personality as I sit". John painted slowly, often returning to a theme repeatedly. She preferred painting of reduced tone and subtle colour relationships, in contrast to her brother's far more vivid palette.
In addition to studio work, she made many sketches and watercolours of women and children in church. Unlike her oil paintings of solitary women, these sketches frequently depict their subjects from behind, and in groups. She also made many sketches of her cats. Aside from two etchings she drew in 1910, she made no prints.
In 1916 she wrote in a letter: "I think a picture ought to be done in 1 sitting or at most 2. For that one must paint a lot of canvases probably and waste them." Her notebooks and letters contain numerous personal formulae for observing nature, painting a portrait, designating colors by a system of numbers, and the like. Their meaning is often obscure, but they reveal John's predilection for order and the lasting influence of Whistler, whose teaching emphasised systematic preparation.
Though she was once overshadowed by her popular brother, critical opinion now tends to view Gwen as the more talented of the two. Augustus himself had predicted this reversal, saying "In 50 years' time I will be known as the brother of Gwen John."
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