Criticism, Reviews, and Interviews
- Alpert, Barry (ed.). "Guy Davenport / Ronald Johnson". VORT 9, 1976.
- Bawer, Bruce. "Wise guy". Bookforum, April 2005.
- Cahill, Christopher. "Prose" (The Cardiff Team and The Hunter Gracchus). Boston Review, April/May 1997.
- Cohen, Paul. "Art in the Soviet Union: Davenport's Visual Critique in 'Tatlin!'". Mosaic, 1985.
- Cozy, David. "Knowledge as Delight / the fiction of Guy Davenport", RainTaxi, Fall 2002.
- ———. "A Plain Modernist" (The Death of Picasso: New and Selected Writing). The Threepenny Review, Summer 2004.
- ———. "Guy Davenport". The Review of Contemporary Fiction, Fall 2005.
- Delany, Samuel R.. "The 'Gay Writer' / 'Gay Writing'...?" in Shorter Views: Queer Thoughts & the Politics of the Paraliterary (Wesleyan University Press, 1999).
- Dillon, Patrick. "Dimensions of Erewhon: The Modern Orpheus in Guy Davenport's 'The Dawn in Erewhon'". CUREJ: College Undergraduate Research Electronic Journal (University of Pennsylvania, 2006).
- Dirda, Michael. "Guy Davenport," in Readings: Essays and Literary Entertainments (W.W. Norton, 2000).
- Furlani, Andre. "A Postmodern Utopia Of Childhood Sexuality: The Fiction Of Guy Davenport", in Curiouser: On the Queerness of Children (University of Minnesota Press, 2004).
- ———. Guy Davenport: Postmodernism and After (Northwestern University Press, 2007).
- Kelly, Robert. Interview on Guy Davenport. The Brooklyn Rail, July 2005
- Mason, Wyatt. "There Must I Begin to Be: Guy Davenport's Heretical Fictions". Harper's Magazine, April 2004.
- Quartermain, Peter. "Writing as Assemblage / Guy Davenport" in Disjunctive Poetics (Cambridge University Press, 1992).
- Shannon, John (ed.). "A Symposium on Guy Davenport". Margins 13, August–September 1974.
- Sullivan, John Jeremiah (Fall 2002). "Guy Davenport, The Art of Fiction No. 174". The Paris Review 163. http://www.theparisreview.org/interviews/355/the-art-of-fiction-no-174-guy-davenport.
- Zachar, Laurence. "L'écriture de Guy Davenport, fragments et fractals". Lille : A.N.R.T. Université de Lille III, 1996. OCLC: 70116807. (Zachar's thesis is in French, but extensive interview material and letters appear in English in an appendix, 426–488.)
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“What a perpetual disappointment is actual society, even of the virtuous and gifted! After interviews have been compassed with long foresight, we must be tormented presently by baffled blows, by sudden, unseasonable apathies, by epilepsies of wit and of animal spirits, in the heyday of friendship and thought. Our faculties do not play us true, and both parties are relieved by solitude.”
—Ralph Waldo Emerson (1803–1882)