Criticism, Reviews, and Interviews
- Alpert, Barry (ed.). "Guy Davenport / Ronald Johnson". VORT 9, 1976.
- Bawer, Bruce. "Wise guy". Bookforum, April 2005.
- Cahill, Christopher. "Prose" (The Cardiff Team and The Hunter Gracchus). Boston Review, April/May 1997.
- Cohen, Paul. "Art in the Soviet Union: Davenport's Visual Critique in 'Tatlin!'". Mosaic, 1985.
- Cozy, David. "Knowledge as Delight / the fiction of Guy Davenport", RainTaxi, Fall 2002.
- ———. "A Plain Modernist" (The Death of Picasso: New and Selected Writing). The Threepenny Review, Summer 2004.
- ———. "Guy Davenport". The Review of Contemporary Fiction, Fall 2005.
- Delany, Samuel R.. "The 'Gay Writer' / 'Gay Writing'...?" in Shorter Views: Queer Thoughts & the Politics of the Paraliterary (Wesleyan University Press, 1999).
- Dillon, Patrick. "Dimensions of Erewhon: The Modern Orpheus in Guy Davenport's 'The Dawn in Erewhon'". CUREJ: College Undergraduate Research Electronic Journal (University of Pennsylvania, 2006).
- Dirda, Michael. "Guy Davenport," in Readings: Essays and Literary Entertainments (W.W. Norton, 2000).
- Furlani, Andre. "A Postmodern Utopia Of Childhood Sexuality: The Fiction Of Guy Davenport", in Curiouser: On the Queerness of Children (University of Minnesota Press, 2004).
- ———. Guy Davenport: Postmodernism and After (Northwestern University Press, 2007).
- Kelly, Robert. Interview on Guy Davenport. The Brooklyn Rail, July 2005
- Mason, Wyatt. "There Must I Begin to Be: Guy Davenport's Heretical Fictions". Harper's Magazine, April 2004.
- Quartermain, Peter. "Writing as Assemblage / Guy Davenport" in Disjunctive Poetics (Cambridge University Press, 1992).
- Shannon, John (ed.). "A Symposium on Guy Davenport". Margins 13, August–September 1974.
- Sullivan, John Jeremiah (Fall 2002). "Guy Davenport, The Art of Fiction No. 174". The Paris Review 163. http://www.theparisreview.org/interviews/355/the-art-of-fiction-no-174-guy-davenport.
- Zachar, Laurence. "L'écriture de Guy Davenport, fragments et fractals". Lille : A.N.R.T. Université de Lille III, 1996. OCLC: 70116807. (Zachar's thesis is in French, but extensive interview material and letters appear in English in an appendix, 426–488.)
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