Origins
The silverworking techniques used in the cauldron are unknown from the Celtic world, but are consistent with the renowned Thracian sheet-silver tradition. The scenes depicted are not distinctively Thracian, but certain elements of composition, decorative motifs, and illustrated items (such as the shoelaces on the antlered figure) identify it as Thracian work.
Taylor and Bergquist have postulated that the Celtic tribe known as the Cordisci commissioned the cauldron from native Thracian silversmiths. According to classical historians, the Cimbri, a Teutonic tribe, went south from the lower Elbe region and attacked the Scordisci in 118 BC. After withstanding several defeats at the hands of the Romans, the Cimbri retreated north with the cauldron to settle in Himmerland, where the vessel was found.
Nielsen believes that the question of origin is the wrong one to ask and can produce misleading results. Because of the widespread migration of numerous ethnic groups like the Celts and Teutonic peoples and events like Roman expansion and subsequent Romanization, it is highly unlikely that only one ethnic group was responsible for the development of the Gundestrup cauldron. Instead, the make and art of the cauldron can be thought of as the product of a fusion of cultures, each inspiring and expanding upon one another. In the end, Nielsen concludes that, based on accelerator datings from beeswax found on the back of the plates, the vessel was created within the Roman Iron Age at a location somewhere in Central Europe.
Read more about this topic: Gundestrup Cauldron
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