Guinevere - Abduction of Guinevere

Abduction of Guinevere

The earliest mention of Guinevere is in the Welsh tale Culhwch ac Olwen, where she appears as Arthur's queen, but little more is said about her. Caradoc of Llancarfan, who wrote his Life of Gildas before 1136, recounts how she was kidnapped by Melwas, king of the "Summer Country" (Aestiva Regio, perhaps meaning Somerset), and held prisoner at his stronghold at Glastonbury. The story states that Arthur spent a year searching for her, found her, and had assembled an army to storm Melwas' fort when Saint Gildas negotiated a peaceful resolution and reunited husband and wife. This is the earliest written account of Guinevere's abduction, one of the earliest and most common episodes in Arthurian legend. A seemingly related account appears carved into the archivolt of Modena Cathedral in Modena, Italy, which probably predates Caradoc's telling. Here, "Artus de Bretania" and Isdernus approach a tower in which "Mardoc" is holding "Winlogee", while on the other side Carrado (probably Caradoc) fights Galvagin (Gawain) while the knights Galvariun and Che (Kay) approach. "Isdernus" is most certainly some incarnation of Yder, a Celtic hero whose name appears in Culhwch and Olwen, and who was Guinevere's lover in a nearly-forgotten tradition mentioned in Beroul's Tristan and reflected in the later Roman de Yder. The Welsh poet Dafydd ap Gwilym alludes to Guinevere's abduction in two of his poems, and the medievalist Roger Sherman Loomis suggested that this tale shows that "she had inherited the role of a Celtic Persephone".

Geoffrey of Monmouth tells a different version of Guinevere's abduction, adding that she was descended from a noble Roman family and was the ward of Cador, Duke of Cornwall. Arthur leaves her in the care of his nephew, Mordred while he crosses over to Europe to go to war with the (fictitious) Roman Procurator Lucius Hiberius. While he is absent, Guinevere is seduced by Mordred and marries him, upon which Mordred declares himself king and takes Arthur's throne; consequently, Arthur returns to Britain and fights Mordred at the fatal Battle of Camlann.

Chrétien de Troyes tells yet another version of Guinevere's abduction, this time by Meleagant (whose name is possibly derived from Melwas) in Lancelot, the Knight of the Cart. The abduction sequence is largely a reworking of that recorded in Caradoc's work, but here the queen's rescuer is not Arthur (or Yder) but Lancelot, whose adultery with the queen is dealt with for the first time in this poem. It has been suggested that Chrétien invented their affair to supply Guinevere with a courtly extramarital lover. Mordred could not be used, as his reputation was beyond saving, and Yder had been forgotten entirely.

In the German tale Diu Crône, Guinevere's brother Gotegrim kidnaps her and intends to kill her for refusing to marry Gasozein, who claims to be her rightful husband. In Ulrich von Zatzikhoven's Lanzelet, Valerin, King of the Tangled Wood, claims the right to marry her and carries her off to his castle in a struggle for power that reminds scholars of her prescient connections to the fertility and sovereignty of Britain. Arthur's company save her, but Valerin kidnaps her again and places her in a magical sleep inside another castle surrounded by snakes, where only the powerful sorcerer Malduc can rescue her. All of these similar tales of abduction by another suitor – and this allegory includes Lancelot, who whisks her away when she is condemned to burn at the stake for their adultery – are demonstrative of a recurring Hades-snatches-Persephone theme, positing that Guinevere is like the otherworld bride Étaín, who Midir, king of the Underworld, carries off from her earthly life after she has forgotten her past.

A version of the abduction of Guinevere is associated with Meigle in Scotland, known for its carved Pictish stelae. One of the stones, now in the Meigle Sculptured Stone Museum, is said to depict Vanora, the local name for Guinevere. She was said to have been abducted by King Mordred. When she was eventually returned to Arthur, he had her condemned to death for infidelity and ordered that she be torn to pieces by wild beasts, an event said to be depicted on Meigle Stone 2. This stone was one of two that originally stood near a mound that is identified as Vanora's grave.