Works
His finest works are the famous group of the "Horse Tamers" (Chevaux de Marly), which reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The familiar versions (illustration, left) at the entrance to the Champs-Élysées, Paris are cast reproductions.
Coustou also created the colossal groups The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with.
In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Cousteau sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre: each was placed at the center of one of the carp pools at Marly. In 1725 the duc d'Antin, general director of the Bâtiments du Roi commissioned a pair of life-size marbles of Louis XV as Jupiter and Marie Leszczynska as Juno for the park of his château de Petit-Bourg, which adjoined the park of Versailles, to which it was added after the duke's death.
A number of his sculptures were for the Tuileries Gardens, most notably a bronze Diane à la biche ("Diana and a Hind").
Coustou's marble Bust of Samuel Bernard is at the Metropolitan Museum of Art
Read more about this topic: Guillaume Coustou The Elder
Famous quotes containing the word works:
“To receive applause for works which do not demand all our powers hinders our advance towards a perfecting of our spirit. It usually means that thereafter we stand still.”
—G.C. (Georg Christoph)
“‘Tis too plain that with the material power the moral progress has not kept pace. It appears that we have not made a judicious investment. Works and days were offered us, and we took works.”
—Ralph Waldo Emerson (1803–1882)
“You are always looking for already-felt emotions, just as you like to get an old pair of trousers back from the cleaners, which seem new when you don’t look too closely. Artists are cleaners, don’t let yourself be taken in by them. True modern works of art are made not by artists but quite simply by men.”
—Francis Picabia (1878–1953)