Playing
Due to its advanced overblowing technique the northern guanzi's range is about two and one-half octaves, while the Cantonese houguan (like the bamboo guan used in ancient China) does not overblow, giving it a range of just over one octave. The keyed "jiajian guan" with the addition of clarinet-like register and extension keys have nearly a 4 octave range, although the upper range is not commonly used. The guan has been used in a variety of musical contexts over the centuries, often as a solo instrument used to evoke a mood of sadness. This is largely due to the instrument's playing technique, which involves the use of expressive vibratos and wide pitch bends.
The guan is quite difficult to play, largely due to the difficulty of controlling the embouchure; a Chinese saying states that "the sheng (mouth organ) takes 100 days to learn, but the guan takes 1,000 days to learn."
Read more about this topic: Guan (instrument)
Famous quotes containing the word playing:
“Nothing can be colder than his head, when the lightnings of his imagination are playing in the sky.”
—Ralph Waldo Emerson (1803–1882)
“All voting is a sort of gaming, like checkers or backgammon, with a slight moral tinge to it, a playing with right and wrong, with moral questions; and betting naturally accompanies it. The character of the voters is not staked. I cast my vote, perchance, as I think right; but I am not vitally concerned that right should prevail. I am willing to leave it to the majority.”
—Henry David Thoreau (1817–1862)
“The best hand always believes in playing by the rules.”
—Mason Cooley (b. 1927)