History
The insertion of gems into teeth has long predated hip hop culture, with rich Mayans drilling pieces of jade into their teeth.
Hip hop artists began wearing grills in the early 1980s; New Yorker Eddie Plein, owner of Eddie's Gold Teeth, is often credited with starting the trend. Plein made gold caps for Flavor Flav, and then outfitted New York rappers including Big Daddy Kane and Kool G. Rap. He later moved to Atlanta, where he designed ever-more-elaborate grills for rappers like OutKast, Goodie Mob, Ludacris, and Lil Jon. Other writers have cited Slick Rick as an important early contributor to the popularity of grills.
Grills remained popular in the Southern U.S., especially in Houston or Memphis, even as they rose and fell from popularity elsewhere, and the rise of Dirty South rappers in the 2000s spurred a nationwide grill trend. During this time, grills frequently appeared in hip hop music, most notably in the 2005 number one single "Grillz," by Nelly, Paul Wall, Big Gipp, and Ali, and in other Paul Wall songs. Wall is known for his grill business as well as his rapping; his clients include Kanye West and Cam'ron.
Murray Forman, a professor specializing in popular music and hip-hop at Northeastern University, has suggested that grills, like other bling jewelry, symbolize monetary success, which is especially important for the social underclass. He has also suggested that the attention grills draw to the mouth is reflective of the importance in vocal dexterity in the Black-American community, citing the importance of West African oral storytelling traditions, African-American orators, and trash talk among basketball players.
Read more about this topic: Grill (jewelry)
Famous quotes containing the word history:
“Well, for us, in history where goodness is a rare pearl, he who was good almost takes precedence over he who was great.”
—Victor Hugo (1802–1885)
“The custard is setting; meanwhile
I not only have my own history to worry about
But am forced to fret over insufficient details related to large
Unfinished concepts that can never bring themselves to the point
Of being, with or without my help, if any were forthcoming.”
—John Ashbery (b. 1927)
“There is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy; a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History and, even, with the European tradition.”
—Umberto Eco (b. 1932)