Gregory Short - Recorded Works

Recorded Works

  1. Northwest Composers Vol. II (Florence Mesler Recordings, 1972) Gregory Short, The Pilgrim, song cycle for soprano, piano, and percussion from Kim Si-sup's poem translated by David Mesler; Florence Mesler (Lyric-Spinto Soprano), Gregory Short, (Piano), Phil Curtis assisted by Roy Freedman (percussion) )
  2. Celebrating Six Years at the Met (Random Touch Records, Inc., 1994) Gregory Short: Blue Dawn; Kendall Feeney (piano), James Schoepflin (clarinet), and Charlotte Bickford (violin)
  3. Reflections of the Northwest (TROY 184, 1995) Gregory Short, The Raven Speaks, based on Northwest Coast Indian Songs and Dances; Northwest Symphony Orchestra conducted by Anthony Spain
  4. Natural Symphony - Featuring Seattle's Finest Classical Musical Artists (Classical KING-FM 98.1, 1999) Gregory Short, Mt. Takhoma; Northwest Symphony Orchestra conducted by Anthony Spain
  5. Soli Deo Gloria" (Stephen H. Owades, 1999) Gregory Short, Mass; Richard Clark (cantor); Jeremy Friedman, Matt Masie, Zhanna Maysyuk (percussion); Paul Chudigian (electronics setup), conducted by John Zielinski
  6. The Basket (NXNW 080199, 1999) Gregory Short additional orchestrations
  7. Pahto, for large orchestra (Dialekt Recordings, 2000) Gregory Short, Pahto; Northwest Symphony Orchestra conducted by Anthony Spain
  8. Mystical Mountains (KOCH 3-7399-2 HI, 2001) Gregory Short, Mount Takhoma; Northwest Symphony Orchestra conducted by Anthony Spain

Read more about this topic:  Gregory Short

Famous quotes containing the words recorded and/or works:

    Biographical data, even those recorded in the public registers, are the most private things one has, and to declare them openly is rather like facing a psychoanalyst.
    Italo Calvino (1923–1985)

    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
    Freya Stark (b. 1893–1993)