Green Hornet - Popular Culture

Popular Culture

  • The Green Hornet was parodied by Bill Cosby in his c. 1970 syndicated five-minutes-a-day radio program, The Brown Hornet, which he revived in the late 1970s for his Fat Albert and the Cosby Kids cartoon show. As Cosby described the radio parody on The Tonight Show to Johnny Carson, the Brown Hornet rode in the White Beauty, a 1957 two-door Plymouth, driven by his aide Leroy, and lived in a five-story walk-up apartment. The Fat Albert version shared only the name, instead being a space-based superhero in a futuristic setting.
  • The 1960s cartoon series Batfink was a parody of both Batman and the Green Hornet. Batfink rode in a pink vehicle called the Battilac, which was driven by his assistant Karate who was a martial artist.
  • Inspector Clouseau's valet/houseboy is also called Cato, but spelled with a "C" instead of a "K", and his car in the film Revenge of the Pink Panther is a heavily modified Citroën 2CV called "The Silver Hornet".
  • In an episode of Sonic X, Tanaka and Chris dress as the Green Hornet and Kato, respectively, on a rescue mission.

Read more about this topic:  Green Hornet

Famous quotes containing the words popular culture, popular and/or culture:

    Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.
    Adrienne Rich (b. 1929)

    The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.
    George Steiner (b. 1929)

    Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.
    Johan Huizinga (1872–1945)