Plot
The story centers on Tetsuya Tsurugi (剣 鉄也, Tsurugi Tetsuya?), an orphan raised by none other than Kenzo Kabuto (兜 剣造, Kabuto Kenzō?), the once thought dead father of Mazinger Z pilot Kouji Kabuto. Kenzo Kabuto is the creator of the new, improved version of Mazinger, made by refining his father's Chogokin Z (Super Alloy Z) into a new, stronger form, designed to fight against humanity's new enemy, the Mycenae Empire, led by the Great General of Darkness and his army of Warrior Beasts. Kenzo gives the Great Mazinger to Tetsuya to pilot, who is accompanied by a new token female companion, Jun Hono (an orphaned half Japanese, half African-American girl), in her feminine robot, Venus A (Venus Ace).
Both Great Mazinger's and Tetsuya's training are completed just in time to come to Kouji's aid as the Mycenae Battle Beasts overwhelm Mazinger Z. With the original Mazinger destroyed, Kouji went to America to study space travel and left Japan's defense in the hands of Tetsuya and the Fortress of Science. Tetsuya battles the Mycenae Battle Beasts and even their mighty generals, cumulating in a bitter final battle with the Mycenae's military leader, Ankoku Daishogun (Great General of Darkness). After the Great General of Darkness' defeat, the Mycenae forces are led by Doctor Hell, the villain from Mazinger Z, back under the guise of the Great Marshall of Hell.
Produced as a direct sequel to Mazinger Z, Great Mazinger also includes some cast members the original series, including Shiro Kabuto (Kouji's little brother), and comic-relief robot Boss Borot. While Great Mazinger did not achieve the same astronomical ratings as Mazinger Z, but was still highly popular to run a very successful 56 weeks, and spawned a line of best-selling toys and merchandize as did its predecessor, as well as several spin-off theatrical featurettes, and allowed for the creation of UFO Robo Grendizer.
Originally, Great Mazinger was to be included in Jim Terry's Force Five series, but was eventually swapped out with Spaceketeers, and was never aired in the United States. It was however successfully broadcast, unedited and in its entirety, as was Mazinger Z, in Italy, Mexico, and other Latin American countries. Eventually, footage from Great Mazinger's sole appearance in the final episode of Mazinger Z, was aired as part of the US version of Mazinger Z, known as Tranzor Z. But, Great Mazinger had already been introduced to millions of American children under the name of Mazinga as one of the imported, 24" Jumbo Machinder toys released in the US by Mattel as part of their Shogun Warriors line in 1976.
Great Mazinger was also the star of the short theatrical "team-up movies" features released in Japan like Great Mazinger versus Grendizer, Great Mazinger versus Getter Robo G, etc., based on anime crossovers of the manga creations of Go Nagai.
Tetsuya and the Great Mazinger are featured, along with Jun in the Mazinkaiser OVA and movie Mazinkaiser: Death match! Ankoku Daishogun. The characters have been also a mainstay in Banpresto's Super Robot Wars, a popular battle-simulation/RPG series of video games based on many anime mecha shows, including the original Mazinger Z and many others like Getter Robo, the Gundam series, and Neon Genesis Evangelion among others. Tetsuya also appears in Shin Mazinger Shougeki! Z Hen. Tetsuya also pilots an earlier version of Mazinger Z called Energer Z.
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Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)