Jerry Lee Lewis Recording
The song is best known for Jerry Lee Lewis's original recording, which was recorded in the Sun Studio in Memphis, Tennessee, on October 8, 1957, and released as a 45rpm single on Sun 281 in November 1957. It reached #2 on the Billboard pop charts, #3 on the R&B charts, and #1 on the country charts. It also reached #1 on the UK pop charts, appeared on the New Zealand Singles Chart, and the Dutch Top 40.
The song was featured in a performance by Jerry Lee Lewis and his band in the 1957 Warner Brothers rock and roll film Jamboree, which also featured Carl Perkins, Fats Domino, Buddy Knox, and Dick Clark. The recording was also released in the UK on London Records.
The song title is derived from a Southern expression, which some Christians consider blasphemous, that refers to the Pentecost's defining moment when the Holy Spirit manifested itself as "cloven tongues as of fire" and the Apostles spoke in tongues.
Read more about this topic: Great Balls Of Fire
Famous quotes containing the words jerry, lee, lewis and/or recording:
“Remember, a woman has to work harder than a man and have more patience in order to achieve success.”
—Margaret Mary Morgan, U.S. suffragist, print shop owner, and politician. As quoted in Dianne Feinstein, ch. 5, by Jerry Roberts (1994)
“As you grow older, you’ll see white men cheat black men every day of your life, but let me tell you something and don’t you forget it—whenever a white man does that to a black man, no matter who he is, how rich he is, or how fine a family he comes from, that white man is trash.”
—Harper Lee (b. 1926)
“I feel most at home in the United States, not because it is intrinsically a more interesting country, but because no one really belongs there any more than I do. We are all there together in its wholly excellent vacuum.”
—Wyndham Lewis (1882–1957)
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)