Plot
Porterhouse is a college which had an incident involving a bedder and the college's only research graduate student which caused the Bull Tower to be severely damaged. Since the college's funds were exhausted by a previous bursar with a tendency to gamble, one of the story's central themes is guided by the Senior Members' attempts to acquire funds for the college.
The new Master, Skullion, the previous Head Porter of the college, is frail after a stroke (or a 'Porterhouse Blue', hence the previous book's title) and the issues surrounding the death of the previous Master, Sir Godber Evans, prompt his widow to instigate a plan to investigate the death through a planted Fellow, backed by a large, anonymous donation to the College.
Meanwhile, the Dean of the College takes it upon himself to visit prosperous Old Porterthusians (previous members of Porterhouse) in the hope that one is willing and able to become Master if and when Skullion cannot continue. At the same time, the current Bursar is contacted by an American media mogul who seems to be interested in supporting the college without clarifying what it is he wants in return. At the end of the novel the alcoholic Lord Jeremy Pimpole is appointed as Master of the College.
Read more about this topic: Grantchester Grind
Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)