The Grammy Award for Best Pop Instrumental Album is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality instrumental albums in the pop music genre. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".
The award for Best Pop Instrumental Album was first presented to Joe Jackson in 2001. According to the category description guide for the 52nd Grammy Awards, the award is presented to albums containing "at least 51% playing time of newly recorded pop instrumental tracks". Award recipients often include the producers, engineers, and/or mixers associated with the nominated work in addition to the recording artists. In 2005, the producer of a compilation album was the only award recipient.
As of 2012, Larry Carlton and Booker T. Jones are the only musicians to receive the award more than once. American artists have been presented with the award more than any other nationality, though it has been presented to musicians or groups from the United Kingdom twice and from Cuba and Japan once. Larry Carlton shares with the band Spyro Gyra the record for the most nominations with four.
Read more about Grammy Award For Best Pop Instrumental Album: Recipients
Famous quotes containing the words award, pop, instrumental and/or album:
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (18951985)
“There is no comparing the brutality and cynicism of todays pop culture with that of forty years ago: from High Noon to Robocop is a long descent.”
—Charles Krauthammer (b. 1950)
“All history attests that man has subjected woman to his will, used her as a means to promote his selfish gratification, to minister to his sensual pleasures, to be instrumental in promoting his comfort; but never has he desired to elevate her to that rank she was created to fill. He has done all he could to debase and enslave her mind; and now he looks triumphantly on the ruin he has wrought, and say, the being he has thus deeply injured is his inferior.”
—Sarah M. Grimke (17921873)
“What a long strange trip its been.”
—Robert Hunter, U.S. rock lyricist. Truckin, on the Grateful Dead album American Beauty (1971)