Grammy Award For Best Male Pop Vocal Performance
The Grammy Award for Best Male Pop Vocal Performance was awarded between 1966 and 2011 (the final year it was awarded for records issued in 2010). The award had several minor name changes:
- In 1966 the award was known as Best Contemporary (R&R) Vocal Performance - Male
- In 1967 the award was combined with the equivalent award for women as the Grammy Award for Best Contemporary (R&R) Solo Vocal Performance – Male or Female
- In 1968 it was awarded as Best Contemporary Male Solo Vocal Performance
- In 1969 it was awarded as Best Contemporary-Pop Vocal Performance, Male
- From 1970 to 1971 it was awarded as Best Contemporary Vocal Performance, Male
- From 1972 to 1994 it was awarded as Best Pop Vocal Performance, Male
- Since 1995 it has been awarded as Best Male Pop Vocal Performance
The award will be discontinued from 2012 in a major overhaul of Grammy categories. From 2012, all solo performances in the pop category (male, female, instrumentalist) will be shifted to the newly formed Best Pop Solo Performance category.
A similar award for Best Vocal Performance, Male was awarded from 1959 to 1968. This was also in the pop field, but did not specify pop music.
Years reflect the year in which the Grammy Awards were presented, for works released in the previous year.
John Mayer, Sting and Stevie Wonder are the biggest winners in this category with 4 wins.
Read more about Grammy Award For Best Male Pop Vocal Performance: 2010s, 2000s, 1990s, 1980s, 1970s, 1960s, 1950s, Category Stats
Famous quotes containing the words award, male, pop, vocal and/or performance:
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“How beastly the bourgeois is
especially the male of the species—”
—D.H. (David Herbert)
“The children [on TV] are too well behaved and are reasonable beyond their years. All the children pop in with exceptional insights. On many of the shows the children’s insights are apt to be unexpectedly philosophical. The lesson seems to be, “Listen to little children carefully and you will learn great truths.””
—G. Weinberg. originally quoted in “What Is Television’s World of the Single Parent Doing to Your Family?” TV Guide (August 1970)
“The sound of tireless voices is the price we pay for the right to hear the music of our own opinions. But there is also, it seems to me, a moment at which democracy must prove its capacity to act. Every man has a right to be heard; but no man has the right to strangle democracy with a single set of vocal chords.”
—Adlai Stevenson (1900–1965)
“The child to be concerned about is the one who is actively unhappy, [in school].... In the long run, a child’s emotional development has a far greater impact on his life than his school performance or the curriculum’s richness, so it is wise to do everything possible to change a situation in which a child is suffering excessively.”
—Dorothy H. Cohen (20th century)