Grammy Award For Best Hard Rock/Metal Performance Vocal or Instrumental

The Grammy Award for Best Hard Rock/Metal Performance Vocal or Instrumental was an award presented at the 31st Grammy Awards in 1989 to honor quality hard rock/metal works (albums or songs). The Grammy Awards, an annual ceremony that was established in 1958 and originally called the Gramophone Awards, are presented by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position."

The Academy recognized hard rock music artists for the first time in 1989 under the category Best Hard Rock/Metal Performance Vocal or Instrumental, combining two of the most popular music genres of the 1980s. Jethro Tull was given that award for the album Crest of a Knave, beating Metallica, who were expected to win with the album ...And Justice for All. This choice led to widespread criticism of the Academy, as journalists suggested that Jethro Tull's music did not belong in the hard rock or heavy metal genres. In response, the Academy created the categories Best Hard Rock Performance and Best Metal Performance, separating the genres. The incident is often considered an example of the Grammy Awards being out of touch with popular sentiment, and was even named the biggest upset in Grammy history by Entertainment Weekly.

From 2012, the combined Hard Rock/Metal category will return following a major overhaul of Grammy Awards categories. The separate Best Hard Rock Performance and Best Metal Performance categories will be merged into the slightly renamed Best Hard Rock/Metal Performance category.

Read more about Grammy Award For Best Hard Rock/Metal Performance Vocal Or Instrumental:  Award, Controversy and Aftermath

Famous quotes containing the words award, hard, rock, metal, performance, vocal and/or instrumental:

    “The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
    —Robert Graves (1895–1985)

    “It is hard for those who have never known persecution,
    And who have never known a Christian,
    To believe these tales of Christian persecution.
    It is hard for those who live near a Bank
    To doubt the security of their money.”
    —T.S. (Thomas Stearns)

    “When the rock was hid by the surges’ swell,
    The mariners heard the warning bell,
    And then they knew the perilous rock,
    And bless’d the Abbot of Aberbrothok.”
    —Robert Southey (1774–1843)

    “We are supposed to be the children of Seth; but Seth is too much of an effete nonentity to deserve ancestral regard. No, we are the sons of Cain, and with violence can be associated the attacks on sound, stone, wood and metal that produced civilisation.”
    —Anthony Burgess (b. 1917)

    “Tennis is more than just a sport. It’s an art, like the ballet. Or like a performance in the theater. When I step on the court I feel like Anna Pavlova. Or like Adelina Patti. Or even like Sarah Bernhardt. I see the footlights in front of me. I hear the whisperings of the audience. I feel an icy shudder. Win or die! Now or never! It’s the crisis of my life.”
    —Bill Tilden (1893–1953)

    “With sweet May dews my wings were wet,
    And Phoebus fir’d my vocal rage;
    He caught me in his silken net,
    And shut me in his golden cage.

    He loves to sit and hear me sing,
    Then, laughing, sports and plays with me;
    Then stretches out my golden wing,
    And mocks my loss of liberty.”
    —William Blake (1757–1827)

    “I guard this box, as I would the instrumental parts of my religion, to help my mind on to something better.”
    —Laurence Sterne (1713–1768)