Grammy Award For Best Chamber Music Performance
The Grammy Award for Best Chamber Music Performance has been awarded since 1959. The award has had several minor name changes:
- From 1959 to 1960 the award was known as Best Classical Performance - Chamber Music (including chamber orchestra)
- In 1961 it was awarded as Best Classical Performance - Vocal or Instrumental - Chamber Music
- From 1962 to 1964 it was awarded as Best Classical Performance - Chamber Music
- In 1965 it was awarded as two awards for Best Chamber Music Performance - Vocal and Best Chamber Music Performance - Instrumental
- From 1966 to 1967 it was awarded as Best Classical Chamber Music Performance - Instrumental or Vocal
- From 1968 to 1990 it was awarded as Best Chamber Music Performance
- In 1991 it was awarded as Best Chamber Music or Other Small Ensemble Performance
- From 1992 to the present it has been awarded as Best Chamber Music Performance
The award will be discontinued from 2012 in a major overhaul of Grammy categories. From 2012, recordings in this category will fall under the Best Small Ensemble Performance category.
Years reflect the year in which the Grammy Awards were presented, for works released in the previous year.
Read more about Grammy Award For Best Chamber Music Performance: 2000s, 1990s, 1980s, 1970s, 1960s, 1950s
Famous quotes containing the words award, chamber, music and/or performance:
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“The hotel was once where things coalesced, where you could meet both townspeople and travelers. Not so in a motel. No matter how you build it, the motel remains the haunt of the quick and dirty, where the only locals are Chamber of Commerce boys every fourth Thursday. Who ever heard the returning traveler exclaim over one of the great motels of the world he stayed in? Motels can be big, but never grand.”
—William Least Heat Moon [William Trogdon] (b. 1939)
“Where should this music be? I’ th’ air, or th’ earth?
It sounds no more.”
—William Shakespeare (1564–1616)
“The way to go to the circus, however, is with someone who has seen perhaps one theatrical performance before in his life and that in the High School hall.... The scales of sophistication are struck from your eyes and you see in the circus a gathering of men and women who are able to do things as a matter of course which you couldn’t do if your life depended on it.”
—Robert Benchley (1889–1945)