Silbermann's Organs
The organs that Silbermann and his brother Andreas Silbermann built show a clear and distinctive style, both in architecture and in their music qualities. Silbermann never deviated from this style. Silbermann's ability to earn money with organ construction was remarkable, leading him to uncommon wealth. His economic operation and slow consolidation of his position eventually created a near monopoly. His apprentices had to pledge never to work in Central Germany.
Silbermann's non-negotiable style was not welcome everywhere, an important example of an opponent being Johann Sebastian Bach, who, unlike Silbermann who tuned in meantone temperament, preferred a more flexible tuning.
Silbermann designed and built approximately 50 organs, 29 of which are still in existence in Saxony, including the organ in the Hofkirche in Dresden. The Hofkirche organ and that of Freiberg Cathedral are considered his greatest works. The organ in Freiberg Cathedral has three manuals and 41 stops divided between Oberwerk, Hauptwerk, Brustwerk and Pedal. Silbermann's organs are characterised by the use of strong reeds, a broad range of stops, and pipes with a high tin content, which adds a distinctive brightness to the tone.
Read more about this topic: Gottfried Silbermann
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“But the man and woman of seventy assume to know all, they have outlived their hope, they renounce aspiration, accept the actual for the necessary and talk down to the young. Let them then become organs of the Holy Ghost; let them be lovers; let them behold truth; and their eyes are uplifted, their wrinkles smoothed, they are perfumed again with hope and power.”
—Ralph Waldo Emerson (1803–1882)