Gothic science fiction is a subgenre of science fiction that, as the name suggests, also involves gothic conventions.
Some of the more obvious examples of the subgenre feature vampires explained in a science fiction context, commonly that vampires are aliens or those infected by a disease as in (Richard Matheson's novel I Am Legend), or products of parallel evolution (George R. R. Martin's novel Fevre Dream) or in (Kate Nevermore's novel Blood of the Living). Some feature entire planets of vampires, or vampire-like creatures (such as the comic book Vampirella).
In his history of science fiction, Billion Year Spree, Brian Aldiss contends that science fiction itself is an outgrowth of gothic fiction-- pointing to Mary Shelley's novel Frankenstein as an example." Science fiction is the search for a definition of man and his status in the universe which will stand in our advanced but confused state of knowledge (science) and is characteristically cast in the Gothic or post-Gothic mode." The blend can also be detected quite explicitly in Jules Verne's novel Le Château des Carpathes.
Other examples of the subgenre feature other traditionally gothic tropes in new settings, such as:
- Damsels in distress in faraway future
- Gothic planetary romance
- Gothic futuristic romance
Famous quotes containing the words gothic, science and/or fiction:
“The Gothic cathedral is a blossoming in stone subdued by the insatiable demand of harmony in man.”
—Ralph Waldo Emerson (1803–1882)
“Science is properly more scrupulous than dogma. Dogma gives a charter to mistake, but the very breath of science is a contest with mistake, and must keep the conscience alive.”
—George Eliot [Mary Ann (or Marian)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)