Atmosphere
In terms of atmosphere, Batman writer and editor Dennis O'Neil has said that, figuratively, "Batman's Gotham City is Manhattan below Fourteenth Street at eleven minutes past midnight on the coldest night in November."
Gotham City's atmosphere took on a lighter tone in the comics of the 1950s and part of the 1960s, similar to the tone of Batman stories of that era. However, by the early 1970s the tone of the city, along with that of the stories, had become grittier. Most recently, the portrayal of Gotham is that of a dark and foreboding metropolis rife with crime, grime, corruption, and a deep-seated sense of urban decay in the parts of the city not rejuvenated post-"No Man's Land".
Recently, Batman scribe Grant Morrison has brought about a more optimistic interpretation of Gotham City. "If Gotham was so bloody awful, no one normal would live there and there'd be no one to protect from criminals. If Gotham really was an open sewer of crime and corruption, every story set there would serve to demonstrate the complete and utter failure of Batman's mission, which isn't really the message we want to send, is it? You've got Batman and all his allies as well as Commissioner Gordon and the city still exudes a vile miasma of darkness and death? I can't buy that. It's simply not realistic and flies in the face of in-story logic (and you know I like my comics realistic!) so my artists and I have taken a different tack and we want to show the cool, vibrant side of Gotham, the energy and excitement that would draw people to live and visit there."
Read more about this topic: Gotham City
Famous quotes containing the word atmosphere:
“The base of all artistic genius is the power of conceiving humanity in a new, striking, rejoicing way, of putting a happy world of its own creation in place of the meaner world of common days, of generating around itself an atmosphere with a novel power of refraction, selecting, transforming, recombining the images it transmits, according to the choice of the imaginative intellect. In exercising this power, painting and poetry have a choice of subject almost unlimited.”
—Walter Pater (1839–1894)
“The meeting in the open of two dogs, strangers to each other, is one of the most painful, thrilling, and pregnant of all conceivabale encounters; it is surrounded by an atmosphere of the last canniness, presided over by a constraint for which I have no preciser name; they simply cannot pass each other, their mutual embarrassment is frightful to behold.”
—Thomas Mann (1875–1955)
“The man who, from the beginning of his life, has been bathed at length in the soft atmosphere of a woman, in the smell of her hands, of her bosom, of her knees, of her hair, of her supple and floating clothes, ... has contracted from this contact a tender skin and a distinct accent, a kind of androgyny without which the harshest and most masculine genius remains, as far as perfection in art is concerned, an incomplete being.”
—Charles Baudelaire (1821–1867)