Productions of The Company
- 2001 Il Sogno di Scipione (1771) by Wolfgang Amadeus Mozart, directed by Christopher Alden at The Abrons Art Center
- 2002 Dido and Eneas (1689) by Henry Purcell, directed by Laurence Dale at The Abrons Arts Center
- 2002 Les Malheurs d’Orphée (1924) by Darius Milhaud, directed by Laurence Dale at The Abrons Arts Center
- 2002 Les Larmes du couteau (1928) by Bohuslav Martinů, directed by Ned Canty at The Abrons Arts Center
- 2002 Hlas Lesa (1935) by Bohuslav Martinů, directed by Ned Canty at The Abrons Arts Center
- 2004 Die schwarze Spinne (1935) by Heinrich Sutermeister, directed by Robin Guarino at The Abrons Arts Center
- 2005 Arianna in Creta (1733) by Georg Friederich Handel, directed by Christopher Alden at The Abrons Arts Center
- 2005 La bella dormente nel bosco (1922) by Ottorino Respighi, directed by Basil Twist at Lincoln Center
- 2006 Albert Herring (1947) by Benjamin Britten, directed by David Schweizer at The Abrons Arts Center
- 2007 Il signor Bruschino (1813) by Gioachino Rossini, directed by Robin Guarino at The Abrons Arts Center
- 2007 María de Buenos Aires (1968) by Astor Piazzola directed by David Parsons at Jack H. Skirball Center for the Performing Arts, NYU
- 2007 Scenes of Gypsy Life a cautionary tale featuring music of Antonin Dvořák (1880) and Leos Janáček (1919), directed by Eric Einhorn at the Morgan Library
- 2008 Ariadne Unhinged, music by Claudio Monteverdi (1608), Joseph Haydn (1789) and Arnold Schoenberg (1912) directed by Karole Armitage at The Playhouse, Abrons Arts Center
- 2009 L’isola disabitata (1779) by Joseph Haydn., directed by Mark Morris at the Gerald W. Lynch Theater
- 2010 Il mondo della luna (1777) by Joseph Haydn, directed by Diane Paulus at the Hayden Planetarium
- 2010 El gato con botas (1946) by Xavier Montsalvatge, directed by Moisés Kaufman at the New Victory Theater
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—Herman Melville (1819–1891)
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“It has lately been drawn to your correspondent’s attention that, at social gatherings, she is not the human magnet she would be. Indeed, it turns out that as a source of entertainment, conviviality, and good fun, she ranks somewhere between a sprig of parsley and a single ice- skate. It would appear, from the actions of the assembled guests, that she is about as hot company as a night nurse.”
—Dorothy Parker (1893–1967)