Career
Liu’s first break was with Chang's Film Company (a Shaw Brothers subsidiary operating in Taiwan) acting small parts for such films as 5 Shaolin Masters, Shaolin Martial Arts, and 4 Assassins. He starred in Challenge of the Masters (1976), as the folk hero Wong Fei Hung, and was featured in Executioners From Shaolin (1977) before starring in his signature role as Shaolin hero San Te in The 36th Chamber of Shaolin.
The tale of the imperialistic struggle against — while not a new one — was significant for the intense focus placed on the inner workings of Shaolin Temple itself. San Te, Liu’s character, overcomes the temple's thirty-five chambers as he unwittingly undergoes the rigorous training regime imposed by the temple’s Head Abbott on the pretext of “earning” a right to study martial arts there.
The “zero-to-hero” tale turned Liu into an international icon in spite of a frame far slighter than that of the folk hero himself (known as “Iron Arms” for the muscularity of his physique) and paved the way for a very healthy working schedule into the mid-1990s, even as younger, more agile martial artists eventually emerged. By the late 1980s he had begun accepting smaller roles such as in Lau Kar-leung's Tiger on the Beat.
Liu has also been active in television, and was contracted to Hong Kong's TVB company for many years, continuing playing roles as a martial arts master. Though still performing some martial arts roles, he is at home as well in comedic, self-deprecatory or emotional characters. His second-most common role in TVB has been playing a Hong Kong Police Force officer.
Quentin Tarantino has long been a fan of Liu, and had one day hoped to find him a role in one of his movies. This eventually came to pass with the roles of Johnny Mo and Master Pai Mei in both Kill Bill films (incidentally, in one version of the script for the second film, Liu's lips would be speaking Cantonese while his voice, dubbed by Tarantino, would be in English — imitating a bad dub job). His roles in Kill Bill raised Liu's profile again and a renewed interest was shown by Chinese producers; since Kill Bill, Gordon has returned to doing movies while continuing to do television for Hong Kong's TVB station.
In 2008, Liu added a Bollywood film to his profile. Collaborating with Indian actor Akshay Kumar who is a top-billed Bollywood actor and also a martial arts performer in a film titled Chandni Chowk To China (CC2C). He played the role of the villain, Hojo, a smuggler and a well-trained martial artist. Before this, he appeared as himself (along with his mentor Lau Kar Leung) in Dragonland, 2009, the very first Italian documentary about Martial Cinema History, a homevideo 3 hours kung-fu marathon written and directed by specialist Lorenzo De Luca. Gordon attended as special guest star at the premiere in Rome, meeting his Italian fans for the first time. During August 2011, Gordon suffered a stroke and put all his plans on hold to recover; his camp has not released additional information and Liu had cancelled all public engagements as of March 2012.
Read more about this topic: Gordon Liu
Famous quotes containing the word career:
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (182595)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partners job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“Work-family conflictsthe trade-offs of your money or your life, your job or your childwould not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)