Covers
In 1950, one year after Leadbelly's death, the American folk band The Weavers recorded a version of "Goodnight, Irene." The single first reached the Billboard Best Seller chart on June 30, 1950 and lasted 25 weeks on the chart, peaking at #1. Although generally faithful, the Weavers chose to omit some of Leadbelly's more controversial lyrics, leading Time magazine to label it a "dehydrated" and "prettied up" version of the original. Due to the recording's popularity, however, The Weavers' lyrics are the ones generally used today. The Weavers' enormous success inspired many other artists to release their own versions of the song, many of which were themselves commercially successful.
Subsequent to 1950, the song was recorded by numerous artists across several genres. In 2002, Lead Belly's 1936 Library of Congress recording received a Grammy Hall of Fame Award.
Frank Sinatra's cover, released only a month after The Weavers', lasted nine weeks on the Billboard magazine Best Seller chart on July 10, peaking at #5. Later that same year, Ernest Tubb and Red Foley had a #1 country music record with the song, and both Dennis Day and Jo Stafford released versions which made the Best Seller chart, peaking at #17 and #9 respectively. Moon Mullican also had a country hit with it in 1950.
On the Cash Box chart, where all available versions were combined in the standings, the song reached a peak position of #1 on September 2, 1950, and lasted at #1 for 10 weeks.
The song was the basis for the 1950 parody called "Please Say Goodnight to the Guy, Irene" by Ziggy Talent. It also inspired the 1954 "answer" record "Wake Up, Irene" by Hank Thompson, a #1 on Billboard's country chart.
Read more about this topic: Goodnight, Irene
Famous quotes containing the word covers:
“In truth, politeness is artificial good humor, it covers the natural want of it, and ends by rendering habitual a substitute nearly equivalent to the real virtue.”
—Thomas Jefferson (1743–1826)
“Whatever an author puts between the two covers of his book is public property; whatever of himself he does not put there is his private property, as much as if he had never written a word.”
—Gail Hamilton (1833–1896)
“What art can paint or gild any object in afterlife with the glow which Nature gives to the first baubles of childhood. St. Peter’s cannot have the magical power over us that the red and gold covers of our first picture-book possessed. How the imagination cleaves to the warm glories of that tinsel even now! What entertainments make every day bright and short for the fine freshman!”
—Ralph Waldo Emerson (1803–1882)