Reception
Gone With the Wind received positive reviews at the time of its release, today being considered a classic. In its original review for the 1939 release, Frank S Nuget from the New York Times praised it, especially the casting, writing that "Mr. Selznick's film is a handsome, scrupulous and unstinting version of the 1,037-page novel, matching it almost scene for scene with a literalness that not even Shakespeare or Dickens were accorded in Hollywood, casting it so brilliantly one would have to know the history of the production not to suspect that Miss Mitchell had written her story just to provide a vehicle for the stars already assembled under Mr. Selznick's hospitable roof." The Manchester Guardian, in 1940, criticized the length, but praised it overall, especially the acting.
With the 1998 restoration, Roger Ebert wrote that: "it will be around for years to come, a superb example of Hollywood's art and a time capsule of weathering sentimentality for a Civilization gone with the wind, all right--gone, but not forgotten."
Read more about this topic: Gone With The Wind (film)
Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)