Production
With the court case between Kevin McClory and Fleming surrounding Thunderball still in the High Courts, producers Albert R. Broccoli and Harry Saltzman turned to Goldfinger as the third Bond film. Goldfinger had what was then considered a large budget of $3 million (US$22,480,687 in 2013 dollars), the equivalent of the budgets of Dr. No and From Russia with Love combined, and was the first James Bond film classified as a box-office blockbuster. Goldfinger was chosen with the American cinema market in mind, as the previous films had concentrated on the Caribbean and Europe.
Terence Young, who directed the previous two films, chose to film The Amorous Adventures of Moll Flanders instead, after a pay dispute that saw him denied a percentage of the film's profits. Broccoli and Saltzman turned instead to Guy Hamilton to direct; Hamilton, who had turned down directing Dr. No, felt that he needed to make Bond less of a "superman" by making the villains seem more powerful. Hamilton knew Fleming, as both were involved during intelligence matters in the Royal Navy during World War II. Goldfinger saw the return of two crew members who were not involved with From Russia With Love: stunt coordinator Bob Simmons and production designer Ken Adam. Both played crucial roles in the development of Goldfinger, with Simmons choreographing the fight sequence between Bond and Oddjob in the vault of Fort Knox, which was not just seen as one of the best Bond fights, but also "must stand as one of the great cinematic combats" whilst Adam's efforts on Goldfinger were "luxuriantly baroque" and have resulted in the film being called "one of his finest pieces of work."
Read more about this topic: Goldfinger (film)
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