Description
Including the part now missing, the 'hat' would have weighed about 330 g. Like its counterparts, it was hammered from a single piece of gold, decorated in the repoussé technique with bands and rows of symbols, had a somewhat convex, cap-like, lower portion and was originally equipped with a 'brim', which was probably lost during its recovery. Like the Berlin example, it was reinforced by one or several bronze rings near the bottom.
The cone is now (in reconstructed form) 88.3 cm high, but was probably somewhat shorter, at 72 cm or more.
Along its whole length, the object's surface is subdivided and decorated by horizontal bands or ribs and by rows of symbols. In total, there are 154 bands and symbol rows. The symbols are mostly circular bosses enclosed by up to seven concentric circles, as known from all other specimens. There are three sets of unusual special motifs: small horizontal ovals resembling eyes (row 92, also known from Schifferstadt and Berlin), small eight-spoked wheels (row 120) and miniature cones (rows 127 and 105). The latter are unique to the Ezesldorf-Buch cone and appear to represent the shape of a gold 'hat'. The tip of the cone is embellished with a ten-point star. The area where the cone joins the cap-like area is embellished with a 30 mm wide band of vertical grooving, as is the case on the Berlin example.
Read more about this topic: Golden Cone Of Ezelsdorf-Buch
Famous quotes containing the word description:
“God damnit, why must all those journalists be such sticklers for detail? Why, they’d hold you to an accurate description of the first time you ever made love, expecting you to remember the color of the room and the shape of the windows.”
—Lyndon Baines Johnson (1908–1973)
“To give an accurate description of what has never occurred is not merely the proper occupation of the historian, but the inalienable privilege of any man of parts and culture.”
—Oscar Wilde (1854–1900)
“I was here first introduced to Joe.... He was a good-looking Indian, twenty-four years old, apparently of unmixed blood, short and stout, with a broad face and reddish complexion, and eyes, methinks, narrower and more turned up at the outer corners than ours, answering to the description of his race. Besides his underclothing, he wore a red flannel shirt, woolen pants, and a black Kossuth hat, the ordinary dress of the lumberman, and, to a considerable extent, of the Penobscot Indian.”
—Henry David Thoreau (1817–1862)