The Golden Age of Mexican cinema (in Spanish: Época de oro del cine mexicano) is a period between 1936 and 1969 where the quality and economic success of the cinema of Mexico reached its peak.
The golden era is thought to have started with the film Vámonos con Pancho Villa (1935), which is to this date considered the best of the cinema of Mexico. The movie was a box-office failure by Fernando de Fuentes that followed his box-office hit Allá en el Rancho Grande. The quality and box-office success of Mexican films continued after the end of World War II when Mexican cinema became focused on commercial films.
Read more about Golden Age Of Mexican Cinema: Background, The Golden Era, Studios
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“Firm in our beliefs without dismay,
In any game the nations want to play.
A golden age of poetry and power
Of which this noonday’s the beginning hour.”
—Robert Frost (1874–1963)
“The word “civilization” to my mind is coupled with death. When I use the word, I see civilization as a crippling, thwarting thing, a stultifying thing. For me it was always so. I don’t believe in the golden ages, you see.... Civilization is the arteriosclerosis of culture.”
—Henry Miller (1891–1980)
“What are we hoping to get out of it, what’s it all in aid of—is it really just for the sake of a gloved hand waving at you from a golden coach?”
—John Osborne (1929–1994)
“Old age equalizes—we are aware that what is happening to us has happened to untold numbers from the beginning of time. When we are young we act as if we were the first young people in the world.”
—Eric Hoffer (1902–1983)
“The germ of violence is laid bare in the child abuser by the sheer accident of his individual experience ... in a word, to a greater degree than we like to admit, we are all potential child abusers.”
—F. Gonzalez-Crussi, Mexican professor of pathology, author. “Reflections on Child Abuse,” Notes of an Anatomist (1985)
“If an irreducible distinction between theatre and cinema does exist, it may be this: Theatre is confined to a logical or continuous use of space. Cinema ... has access to an alogical or discontinuous use of space.”
—Susan Sontag (b. 1933)