"Gold Dust Woman" is a song from the best-selling Fleetwood Mac album Rumours. It was written and sung by Stevie Nicks and released as a B-side to the "You Make Loving Fun" single. Along with "Rhiannon" and "Dreams", it is often regarded as a signature song of Stevie Nicks' of her recordings with Fleetwood Mac.
The take chosen for release on the 1977 Rumours album was reportedly recorded at 4 a.m., after a long night of attempts in the studio. Just before and during that final take, Stevie Nicks had wrapped her head (though not mouth) with a black scarf, veiling her senses and tapping genuine memories and emotions.
On the 2004 2-disc special edition release of Rumours, two demos of "Gold Dust Woman" are included, one of which features vocal melody and lyrics in its coda which would later be developed into the stand-alone single "If You Ever Did Believe" in 1997. Nicks recorded this with close friend Sheryl Crow as part of the early sessions for her 2001 Trouble in Shangri-La album, but the track was chosen as the theme song for the 1998 Warner Bros. Nicole Kidman and Sandra Bullock vehicle Practical Magic. To date, the track has only been available on the film soundtrack album.
Read more about Gold Dust Woman: Interpretations, Cover Versions, Charts, Appearances in Other Media
Famous quotes containing the words gold, dust and/or woman:
“Little Boy kneels at the foot of the bed
Droops on the little hands, little gold head;
Hush! Hush! Whisper who dares!
Christopher Robin is saying his prayers.”
—A.A. (Alan Alexander)
“The Indian attitude toward the land was expressed by a Crow named Curly: “The soil you see is not ordinary soil—it is the dust of the blood, the flesh, and the bones of our ancestors. You will have to dig down to find Nature’s earth, for the upper portion is Crow, my blood and my dead. I do not want to give it up.””
—For the State of Montana, U.S. public relief program. Montana: A State Guide Book (The WPA Guide to Montana)
“When a woman is twenty, a child deforms her; when she is thirty, he preserves her; and when forty, he makes her young again.”
—Léon Blum (1872–1950)