Character and Themes of The Songs
Owing to Stuart Murdoch's authorship and the accompaniment of the group Belle & Sebastian, the songs from the project God Help the Girl much resemble in their musical aspect the other work of Stuart Murdoch and Belle & Sebastian band. These similarities are all the more visible that some of the songs (Funny Little Frog, Act of the Apostle) were taken directly from the band's repertory and were performed earlier by Murdoch himself. In the project God Help the Girl, however, the band limited itself to the accompaniment, the main roles are played by the vocalist – Catherine Ireton and others; which means that the released singles and albums cannot be regarded, strictly speaking, as part of the output of Belle & Sebastian.
The invitation of female vocalists to take part in the project resulted from the subject matter of the songs and the planned film: their main character is a girl named Eve (who is to be played by Catherine Ireton), who dropped out of college (where she was not a very good student), starts work, but wants to change her life – she would like to become a singer or a songwriter. She also has many love and other personal problems – she has just absconded from the psychiatric ward. The problems, however, do not look dramatic in the songs in the form as they were written by Murdoch and are performed by the vocalists. Most of the pieces are cheerful in tone, with elements of irony and self-irony; even the more reflective songs, like Come Monday Night, have a cheerful and catchy tune. In the musical aspect, God Help the Girl is a reference to, or even pastiche of British girl bands performing in the 1960s, with a rich orchestral arrangement.
Read more about this topic: God Help The Girl
Famous quotes containing the words character, themes and/or songs:
“It is well for the world that in most of us, by the age of thirty, the character has set like plaster, and will never soften again.”
—William James (18421910)
“In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shiite fundamentalists.”
—Barbara Ehrenreich (b. 1941)
“Blues are the songs of despair, but gospel songs are the songs of hope.”
—Mahalia Jackson (19111972)