Gloomy Sunday - Writing and Background

Writing and Background

The song was composed by Rezső Seress while living in Paris, in an attempt to become established as a songwriter in late 1932. The original musical composition was a piano melody in C-minor, with the lyrics being sung over it. Seress wrote the song at the time of the Great Depression and increasing fascist influence in the writer's native Hungary, although sources differ as to the degree to which his song was motivated by personal melancholy rather than concerns about the future of the world. The basis of Seress's lyrics is a reproach to the injustices of man, with a prayer to God to have mercy on the modern world and the people who perpetrate evil. There are some suggestions that the words of "Vége a világnak" were in fact not written until World War II itself and not copyrighted until 1946.

Seress initially had difficulty finding a publisher, mainly due to the unusually melancholy nature of the song. One potential publisher stated:

It is not that the song is sad, there is a sort of terrible compelling despair about it. I don't think it would do anyone any good to hear a song like that.

The song was published as sheet music in late 1933, with lyrics by poet László Jávor, who was inspired by a recent break-up with his fiancée. According to most sources, Jávor rewrote the lyrics after the song's first publication, although he is sometimes described as the original writer of its words. His lyrics contained no political sentiments, but rather were a lament for the death of a beloved and a pledge to meet with the lover again in the afterlife. This version of the song became the best known, and most later rewritings are based around the idea of lost love.

Read more about this topic:  Gloomy Sunday

Famous quotes containing the words writing and/or background:

    It seems to me that our three basic needs, for food and security and love, are so mixed and mingled and entwined that we cannot straightly think of one without the others. So it happens that when I write of hunger, I am really writing about love and the hunger for it, and warmth and the love of it and the hunger for it ... and then the warmth and richness and fine reality of hunger satisfied ... and it is all one.
    M.F.K. Fisher (b. 1908)

    Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.
    Henry David Thoreau (1817–1862)