Contemporary Uses
On February 18, 1979, Gloria Parker performed as a musical glasses soloist with the Hartford Symphony Orchestra at the Jai Alai Fronton in Hartford, Connecticut, USA. Richard Hayman, noted for his arrangements for Boston Pops conductor Arthur Fiedler, was the guest conductor for the 90-piece orchestra that accompanied the musical glasses which included songs such as Lara's Theme from the movie Dr. Zhivago, Lover and Amor.
There are several current musicians who professionally play the glass harp. Among them are the Glass Duo from Poland, Clemens Hofinger in Germany, France's Jean Chatillion and Thomas Bloch, Brien Engel, and Dennis James in the United States and Canada's Real Berthiaume. Glasses have been also used by famous rock band Pink Floyd during the recording of "Shine On You Crazy Diamond" on their Wish You Were Here album, recorded and released in 1975. Igor Sklyarov played the glass harp on the same song during two 2006 concerts recorded in Venice, Italy by former guitarist David Gilmour. Gilmour also used the effect during his August 26, 2006 concert in Gdańsk, Poland, with the help of Guy Pratt, Phil Manzanera and Dick Parry. Both recordings are available on Gilmour's Live in Gdańsk CD, although the Venice recording is only available on the 5-disc version of the album or as an internet download with the 3- and 4-disc versions.
- A Toast To Christmas with the Singing Glasses is an album recorded and released in 1980, composed and performed by Gloria Parker. Fourteen well-known carols are performed with the glass harp producing flute-like sounds on crystal glasses, marking the first commercial album to use glasses as a musical instrument.
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Famous quotes containing the word contemporary:
“The contemporary thing in art and literature is the thing which doesn’t make enough difference to the people of that generation so that they can accept it or reject it.”
—Gertrude Stein (1874–1946)
“I have the strong impression that contemporary middle-class women do seem prone to feelings of inadequacy. We worry that we do not measure up to some undefined level, some mythical idealized female standard. When we see some women juggling with apparent ease, we suspect that we are grossly inadequate for our own obvious struggles.”
—Faye J. Crosby (20th century)