Career
George went on the stage at the age of three and toured the United States, appearing with her parents. She starred on stage in the 1920s, although she had made several films in the early part of that decade.
She is credited for contributing to the enormous success on Broadway of Personal Appearance, a comedy by Lawrence Riley in which she had the starring role. This role was reprised by Mae West in the classic film, Go West, Young Man, which West adapted from the play. In 1936 she was nominated for an Academy Award for Best Actress for Valiant Is the Word for Carrie.
Her only other first billed roles were in Madame X (1937) and Love is a Headache. She also appeared in The Roaring Twenties (1939), The Way of All Flesh (1940), The Best Years of Our Lives (1946) and He Ran All the Way (1951). She played the widow of Miles Archer (Iva Archer) in The Maltese Falcon and Mme. Du Barry in Marie Antoinette.
Her last successful roles were as Lute Mae Sanders in Flamingo Road, her brief appearance as the corrupt nurse Miss Hatch in Detective Story (1951) and in Lullaby of Broadway, as the alcoholic mother of Doris Day's ingenue character.
Read more about this topic: Gladys George
Famous quotes containing the word career:
“Like the old soldier of the ballad, I now close my military career and just fade away, an old soldier who tried to do his duty as God gave him the light to see that duty. Goodbye.”
—Douglas MacArthur (1880–1964)
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)