Career
George went on the stage at the age of three and toured the United States, appearing with her parents. She starred on stage in the 1920s, although she had made several films in the early part of that decade.
She is credited for contributing to the enormous success on Broadway of Personal Appearance, a comedy by Lawrence Riley in which she had the starring role. This role was reprised by Mae West in the classic film, Go West, Young Man, which West adapted from the play. In 1936 she was nominated for an Academy Award for Best Actress for Valiant Is the Word for Carrie.
Her only other first billed roles were in Madame X (1937) and Love is a Headache. She also appeared in The Roaring Twenties (1939), The Way of All Flesh (1940), The Best Years of Our Lives (1946) and He Ran All the Way (1951). She played the widow of Miles Archer (Iva Archer) in The Maltese Falcon and Mme. Du Barry in Marie Antoinette.
Her last successful roles were as Lute Mae Sanders in Flamingo Road, her brief appearance as the corrupt nurse Miss Hatch in Detective Story (1951) and in Lullaby of Broadway, as the alcoholic mother of Doris Day's ingenue character.
Read more about this topic: Gladys George
Famous quotes containing the word career:
“From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.”
—Robert Benchley (1889–1945)
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)