Life
Schnackenberg graduated from Mount Holyoke College in 1975. She lectured at Massachusetts Institute of Technology and Washington University, and was Writer-in-Residence at Smith College and visiting fellow at St. Catherine's College, Oxford, in 1997.
The Throne of Labdacus, one of Schnackenberg's six books of poetry, focuses on the myth of Oedipus and the stories of ancient Greece. In A Gilded Lapse of Time she devotes a section to the life, poetry, and death of Dante. Schnackenberg has received the Rome Prize in Creative Literature from the American Academy in Rome and the Berlin Prize from the American Academy in Berlin. She has been awarded a grant from the National Endowment for the Arts, and in 1987 she received a Guggenheim grant. She has been a fellow of the American Academy of Arts and Sciences since 1996. In 1997, she was the Christensen Visiting Fellow at St. Catherine’s College, Oxford, and in 2000 she was a Visiting Scholar at the Getty Research Institute for the History of Art and the Humanities. She won an Academy Award in Literature from the American Academy of Arts and Letters in 1998, and in 2001 she won the LA Times Book Prize in Poetry for The Throne of Labdacus. In 2011, she won the Griffin Poetry Prize (worth CDN $65,000) for Heavenly Questions.
Schnackenberg was married to the American philosopher Robert Nozick until his death in 2002.
Read more about this topic: Gjertrud Schnackenberg
Famous quotes containing the word life:
“I have heard that whoever loves is in no condition old. I have heard that whenever the name of man is spoken, the doctrine of immortality is announced; it cleaves to his constitution. The mode of it baffles our wit, and no whisper comes to us from the other side. But the inference from the working of intellect, hiving knowledge, hiving skill,—at the end of life just ready to be born,—affirms the inspirations of affection and of the moral sentiment.”
—Ralph Waldo Emerson (1803–1882)
“It is conceivable at least that a late generation, such as we presumably are, has particular need of the sketch, in order not to be strangled to death by inherited conceptions which preclude new births.... The sketch has direction, but no ending; the sketch as reflection of a view of life that is no longer conclusive, or is not yet conclusive.”
—Max Frisch (1911–1991)
“O life unlike to ours!
Who fluctuate idly without term or scope,
Of whom each strives, nor knows for what he strives,
And each half lives a hundred different lives;
Who wait like thee, but not, like thee, in hope.”
—Matthew Arnold (1822–1888)