Giuseppe Sarti - Works

Works

See List of operas by Sarti

Sonatas for harpsichord and others instruments (in the Satta's thematic catalog)

  • S. I: 1 Sonata in D Major for harpsichord and violin or flute (facsimile, SPES 1989)
  • S. I: 2 Sonata in D Major for harpsichord and violin (violin is missing)
  • S. I: 3 Sonata in e minor for harpsichord and violin or flute (facsimile, SPES 1989)
  • S. I: 4 Sonata in G Major for harpsichord and violin or flute (facsimile, SPES 1989)

Sonatas for harpsichord or organ (in the Satta's thematic catalog)

  • S. II: 1 Sonata in C Major for harpsichord (critical edition, Ricordi 1979)
  • S. II: 2 Sonata in D Major for harpsichord (critical edition with facsimile, Esarmonia 2008)
  • S. II: 2a Sonata in D Major for Organ (critical edition with facsimile, Esarmonia 2009)
  • S. II: 3 Sonata in D Major for harpsichord (critical edition with facsimile, Esarmonia 2008)
  • S. II: 4 Sonata in D Major for harpsichord (critical edition with facsimile, Esarmonia 2008)
  • S. II: 5 Sonata in D Major for harpsichord (critical edition with facsimile, Esarmonia 2009)
  • S. II: 6 Sonata in D Major for harpsichord (incomplete manuscript)
  • S. II: 7 Sonata in E flat Major for harpsichord (critical edition with facsimile, Esarmonia 2009)
  • S. II: 8 Sonata in F Major for harpsichord (critical edition, Eurarte 2002)
  • S. II: 9 Sonata in G Major for harpsichord (critical edition, Ricordi 1979)
  • S. II: 10 Sonata in G Major for harpsichord (critical edition, Ricordi 1979)
  • S. II: 11 Sonata in G Major for harpsichord (critical edition, Eurarte 2002)
  • S. II: 12 Sonata in G Major for harpsichord (critical edition with facsimile, Esarmonia 2008)
  • S. II: 13 Sonata in G Major for harpsichord (critical edition with facsimile, Esarmonia 2008)

Read more about this topic:  Giuseppe Sarti

Famous quotes containing the word works:

    Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.
    Josiah Royce (1855–1916)

    Most works of art, like most wines, ought to be consumed in the district of their fabrication.
    Rebecca West (1892–1983)

    My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.
    Hannah More (1745–1833)