Music Video
A music video directed by David Slade was released shortly after the single's release. According to the Fuse TV program IMX, the video is similar to Slade's previously directed music video, "Sour Girl" by Stone Temple Pilots, featuring a strange environment and human-sized rabbit characters as well. The music video is similar to Lewis Carroll's novel Alice's Adventures in Wonderland, featuring a little girl that follows a rabbit into an alternate reality.
It features the band performing in an alley, where a girl follows a pink human-sized rabbit to an alternate reality. The band are seen performing in the location as well. The location is mostly made up of the color pink, featuring a pink sky, pink flower petals encircling the area, and the girl is dressed and pink as well. The band are shown performing in the alley again, covered in black paint. Meanwhile, in the alternate reality, the girl continues to follow the rabbit until it leads her to the top of a hill, where she sees AFI performing the chorus. Although she seems happy, she is devastated after realizing the pink rabbit has disappeared. A whirlwind of pink flower petals begin to encircles her, and although she struggles to set herself free, she disappears, leaving behind her pair of golden ballet slippers. The pink flower petals then burst out of vocalist Davey Havok's chest at the end of the video.
An alternate version simply features the band performing in the alley and covered in black paint, but does not feature the girl, human-sized rabbits, or the alternate reality itself. This is the more infamous version, and is often found on the Internet, rather than broadcast television.
Read more about this topic: Girl's Not Grey
Famous quotes containing the words music and/or video:
“Orpheus with his lute made trees
And the mountain tops that freeze
Bow themselves when he did sing.
To his music plants and flowers
Ever sprung, as sun and showers
There had made a lasting spring.”
—William Shakespeare (1564–1616)
“These people figured video was the Lord’s preferred means of communicating, the screen itself a kind of perpetually burning bush. “He’s in the de-tails,” Sublett had said once. “You gotta watch for Him close.””
—William Gibson (b. 1948)