British Rhythm & Blues
Chris Barber's trad-jazz band had launched the skiffle craze, and their hit 'Rock Island Line' had made the band's banjo player Lonnie Donegan a star. As skiffle became passé, Chris, whose sets were structured around the history of jazz, began to feature blues in its place, utilizing his school friend vocalist/guitarist Alexis Korner, and harmonica player Cyril Davies.
While the Barber blues set was strictly country style, Korner was set on expanding the sound to incorporate the more modern electric Chicago sound and an improvisational jazz approach. He formed his own group Alexis Korner Blues Incorporated and recruited musicians like drummer Charlie Watts and saxophonist Dick Heckstall-Smith.. Giorgio, then writing for Jazz News, became inspired by this to the extent of becoming evangelical. He coined the term BRB - British Rhythm and Blues, wrote articles, and bent the ear of anyone who would listen.
Alex and Cyril had a club in a pub upstairs room on Wardour St where blues aficionados would gather on Wednesdays but they needed a larger venue for the noisy big band. With some difficulty, and support from Barber, Giorgio persuaded Pendleton to run a weekly Blues Night on Thursdays at his newly opened neighbouring club The Marquee. Korner's new band, and others, were duly booked. However the audiences were still limited to a small group of enthusiasts and the future was uncertain.
A Jamaican Blue Beat club just off Portobello Road (immortalized in the move Scandal) was one of the hottest spots in London at the time. On a visit Giorgio had a chance encounter with its most notorious clients - Christine Keeler & Mandy Rice-Davies. He invited them to visit the Marquee Blues Night and they showed up the following week. The publicity generated was enough to give the night sufficient cachet to become fashionable and successful.
Giorgio wanted to build on the success of The Marquee Blues night with more shows but Pendleton wasn't interested. He began to organize the bands, suggesting that they work co-operatively to obtain bookings and do other business, just as the Jazz Societies had earlier federated. Giorgio persuaded the Portobello Jamaican club to host a couple of blues bands, but the patrons were not impressed.
Giorgio then discovered an alternative venue - the Cy Laurie Piccadilly Club in Ham Yard. Formerly a major London hotspot, it was now on its uppers. He was able to secure a Saturday night for a fee of $5 and proceeded to stage the first festival of British Blues. Bands appearing included Alexis Korner's Blues Incorporated, Blues By Six (which included Nicky Hopkins), the Rolling Stones. Although attendance was slight, as a promotional device Giorgio prevailed on a number of friends to stand in line outside to attract the attention of passers by, and give the impression of a larger crowd. Pendleton was not at all happy with this local competition for his club.
Read more about this topic: Giorgio Gomelsky
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