Gilbert Cannan - Works

Works

  • Jean-Christophe by Romain Rolland (1910–1913) translator
  • Peter Homunculus (1909) first novel
  • Heinrich Heine's Memoirs, edited by Gustav Karpeles (1910) translator
  • Devious Ways (1910) novel
  • Little Brother (1912) novel
  • The Joy of the Theatre (1913) essays
  • Four Plays (1913)
  • Round The Corner (1913) novel
  • Love (1914)
  • Old Mole (1914) novel
  • Old Mole's Novel (1914) novel
  • Satire (1914)
  • Young Earnest – The Romance Of A Bad Start In Life (1915)
  • Samuel Butler: A Critical Study (1915)
  • Windmills: A Book of Fables (1915) fantasy
  • Three Pretty Men (1916) novel
  • Mendel: a story of youth (1916) novel, closely based on Mark Gertler's early life
  • Everybody's Husband (1917) play, performed at the Birmingham Repertory Theatre with incidental music by Maurice Besly
  • The House with the Mezzanine, and Other Stories by Anton Chekhov (1917) translator with S. S. Koteliansky
  • The Stucco House (1917) novel
  • Freedom (1917)
  • The Anatomy of Society (1919)
  • Time and Eternity (1919)
  • Pink roses (1919)
  • My Life (1920)
  • Pugs and Peacocks (1921)
  • Sembal (1922)
  • Annette and Bennety (1922)
  • Noel – An Epic in Seven Cantos (1922)
  • Seven Plays (1923)
  • House of Prophecy (1924)
  • Diary of A.O. Barnabooth by Valery Larbaud, translator

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Famous quotes containing the word works:

    “The man who builds a factory builds a temple, that the man who works there worships there, and to each is due, not scorn and blame, but reverence and praise.”
    —Calvin Coolidge (1872–1933)

    “We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
    —Clive Bell (1881–1962)

    “My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.”
    —Hannah More (1745–1833)