Film and Television
- A menacing giant squid briefly appears in Voyage to the Bottom of the Sea.
- The Doctor Who episode The Power of Kroll (1978) features a carnivorous monster resembling a giant squid (the largest monster ever seen in the series) which lives at the bottom of a swampy lake, and is worshipped by the natives (despite the fact that it sometimes eats them).
- In the Futurama episode The Deep South, Fry and Umbriel cheer at a fight between a sperm whale and a giant squid. This could be a reference to the Apollo 18 album.
- In the Family Guy episode Death Is a Bitch, a giant squid appears as an uninvited and threatening guest in the Griffin home that they choose to "just ignore and pretend it doesn't exist."
- The title of the film The Squid and the Whale refers to the popularly imagined combat between sperm whale and giant squid, specifically as depicted in the diorama at New York's American Museum of Natural History, which the main character visits in the last scene of the movie.
- The Beast, a 1996 film (with William Petersen, Karen Sillas) is about a giant squid terrorizing a Pacific NW Island, based on Peter Benchley's novel.
- At the end of Rugrats Go Wild, Nigel Thornberry & the Rugrats see a live giant squid.
- An episode of the TV show Invader Zim which was unaired in the United States called "Zim Eats Waffles" shows Dib watching Zim battling a "Giant Flesh-Eating Demon Squid" to the disbelief of his colleagues.
- The Squid becomes a contender in Animal Face-Off against the sperm whale
- In the The Replacements episode The Means Justify the Trend, a giant squid can be seen attacking a submarine.
- The documentary series The Future Is Wild depicts certain species of squid evolving into land-based, air-breathing forms culminating in the 12-foot (3.7 m) tall, 8 ton "Megasquid" 200 millions years in the future. Other squid species include an ocean-dwelling, 120-foot (37 m) long "Rainbow Squid" capable of highly sophisticated optical camouflage and color alterations, and the small, arboreal "Squibbon", highly agile terrestrial squid which spend their lives swinging through the branches of massive lichen trees of the future. It is implied that the Squibbon may someday evolve into Earth's next sapient life form.
- The giant squid was #3 in the Most Extreme episode Body Parts because it has the largest eyes of any living animal. It was #5 in another episode-Monster Myths, because it's not a sea monster and can't sink ships
- The Real Adventures of Jonny Quest (a re imagining of the franchise in the 90's) featured an entire episode dedicated to the giant squid, although the squids in the episode were as large as buildings.
- A giant squid and a colossal squid both made an appearance in Wild Kratts.
- On the Cartoon Network show The Secret Saturdays, a show about a family of cryptozoologists, the parents (Solomon "Doc" and Drew Saturday) are telling their son, Zak Saturday briefly in one episode about how they spent their last anniversary in the stomach of a Giant Squid. This is impossible, as neither a giant squid nor even a colossal squid can swallow a human whole. However, as they are cryptozoologists, this may be a reference to the massive kraken, a huge squid that pulled down ships and could have swallowed them. It could also be referencing Giant Octopi.
Read more about this topic: Giant Squid In Popular Culture
Famous quotes containing the words film and television, film and/or television:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television (Summer 1992)
“If you want to tell the untold stories, if you want to give voice to the voiceless, youve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and youre dumb and blind.”
—Salman Rushdie (b. 1948)
“The television critic, whatever his pretensions, does not labour in the same vineyard as those he criticizes; his grapes are all sour.”
—Frederic Raphael (b. 1931)