Arias and Musical Numbers
Although the score is through-composed, within the general structure of the opera there are several identifiable numbers; four solos given to the three main characters, a trio and a brief love duet. Only Lauretta's O mio babbino caro, the best-known of the solos, is separable from its context and can be sung as a concert piece.
| First lines | Performed by |
|---|---|
| Avete torto! (leading to) Firenze รจ come un albero fiorito "You're mistaken!", followed by "Florence is like a blossoming tree" |
Rinuccio |
| O mio babbino caro "Oh, my dear papa" |
Lauretta |
| Ah, che zucconi! Si corre dal notaio... "Oh, what blockheads! Run to the notary..." |
Gianni Schicchi |
| Trio: Spogliati, bambolino "Undress, little boy" |
Nella, La Ciesca, Zita |
| Prima un avvertimento "First, a word of warning" |
Gianni Schicchi |
| Duet: Lauretta mia, staremo sempre qui! "Lauretta mine, here we'll always stay" |
Rinuccio, Lauretta |
Read more about this topic: Gianni Schicchi
Famous quotes containing the words musical and/or numbers:
“If we cannot sing of faith and triumph, we will sing our despair. We will be that kind of bird. There are day owls, and there are night owls, and each is beautiful and even musical while about its business.”
—Henry David Thoreau (1817–1862)
“Publishers are notoriously slothful about numbers, unless they’re attached to dollar signs—unlike journalists, quarterbacks, and felony criminal defendents who tend to be keenly aware of numbers at all times.”
—Hunter S. Thompson (b. 1939)