Production
The film was initially announced as Mirattal in March 2004 to be produced by NIC Arts and to feature Ajith Kumar and Asin in the lead roles, with a photo shoot also being held. Yuvan Shankar Raja was then signed as the music director. However the project fell through and negotiations with Madhavan also collapsed. In November 2004, it was announced that the project was revived by Salem Chandrasekhar and that Suriya would portray the leading role. Suriya subsequently had to tonsure his head for the film before production, with Asin retaining her role while Shriya Saran and Prakash Raj were selected to play other roles in the film. It was revealed that Asin would play the role of Kalpana, with the name being inspired by the late Indian astronaut Kalpana Chawla. Shriya was later replaced by Nayantara for the second leading female role, after the former became busy with other films and Pradeep Rawat replaced Prakash Raj.
The film was launched on February 11, 2005 at AVM Studios in Chennai with the cast of the project in attendance. In early April 2005, two songs for the film were shot in Switzerland with costumes brought in from Paris for the shooting. Shooting continued and the film finished production in July 2005.
Read more about this topic: Ghajini (2005 Film)
Famous quotes containing the word production:
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.”
—Gus Hall (b. 1910)