Reception
- "one of the few seriously innovative bands in the Lawrence-Kansas City-Topeka area" (Blake Gumprecht, University Daily Kansan, 1980-12-15
- "original, simple, clean material and an energized, tight performance" (Karen Barber, KLZR 106, 1981-06-20)
- "their music has a beat and a fundamentally aggressive quality that is extremely satisfying" (John Korst, Jet Lag, Feb 1983)
- "This is what happened to Midwestern bar bands when they heard the Sex Pistols. Lots of beat and jangle; it's raw and rocking" (Barbara Nellis, Playboy, March 1985)
- "the band has a truly impressive knack for three-piece writing and arranging. Their new LP, Swimming With Sharks, is full of tense, carefully crafted minatures that meld unvarnished noise with unexpected pretty vocal harmonies" (Renaldo Migaldi, Chicago Reader, 1986)
- "Dense minimalist rock featuring choppy guitars, a tight rhythmic thrust, and passionate, often eerie vocals, with stream-of-consciousness lyrics" (Jeff Silberman, Rock It, Fall 1986)
- "Get Smart! has emerged as one of Chicago's most respected (and nationally renowned) underground bands" (Moira McCormick, Illinois Entertainer, September 1986)
- "Warm pop melodicism competes with punky bluntness and jagged noise tendencies" (Ira Robbins, Trouser Press, 1986)
Read more about this topic: Get Smart! (band)
Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fallthe company they find already present there, on their admission into the house of thought.”
—Walter Pater (18391894)
“Satire is a sort of glass, wherein beholders do generally discover everybodys face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (16671745)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)